All posts by The King of Broadway

REVIEW: “How to Handle a Woman” A review of Rogers & Hammerstein‘s Carousel at the Imperial Theatre

“How to Handle a Woman”

A review of the revival of
Rogers & Hammerstein‘s “Carousel”
at the
Imperial Theatre

Disclaimer:

I am not particularly fond of Rogers & Hammerstein‘s “Carousel”. 

Even though much of the music is among my favorite in the Rogers & Hammerstein catalogue, save for the Soliloquy which to me is a cringe worthy 6 minutes – I even joked pre-show that Soliloquy was my early intermission bathroom break, to hear a brilliant Rogers & Hammerstein score played by a Broadway orchestra is one of the reasons that I decided to attend this Revival, 

Much to my dismay I did not even get that.

The orchestrations were flat, two dimensional representations, and the sound design by Mr. Scott Lehrer woefully underwhelming. Sitting in the Orchestra I expected the music to be spectacular but I was sadly disappointed – especially after the recent multi-million dollar remodel of the Imperial Theatre.

I also could just not get past “Carousel’s” main character, Billy Bigelow, the dishonest, wife-beating, carnival barker not being portrayed by a white actor.

Go ahead, get it out of your system, start calling me all kinds of names (you’d be totally wrong) but here’s the thing – perhaps it’s conditioning, perhaps it’s purism, I’m not sure, but in my mind the connotations of such a vile character being played by a Black man is just wrong. The thought kept going through my mind, ‘Why would any person of color agree to play this role?” As far as performance goes, Josh Henry nails it, and nails it strong. His smooth, silk like, baritone voice in any other role would, and have, taken me to great heights emotionally.

 Throughout the entire show I felt like I was at a performance of MCC’s Miscast. Great voices cast in the wrong roles.

 Further, while I have always felt that the part of Julie Jordan, played by a delightful, if not completely doe-eyed and confused Ms. Jessie Mueller, is terribly underwritten, there were times Mr. Jack Doyle, the Director seemed to forget Julie/Jesse was even in the show. More disappointment came from Ms. Renée Fleming, whose gorgeous operatic soprano voice is just too prim and proper to be Aunt Nettie.

 Then there’s the casting of a Middle Eastern actor, the talented and graceful ballet dancer, Amar Ramasar, making his Broadway (and possibly acting) debut, to play “Jigger”, another monster of a character. This is yet another dangerous step towards stereotyping. Every time I heard Billy Bigelow call his name I thought he was using the N-word .

 There is some good news. The shining stars of the show were most definitely the lark-voiced Ms. Lindsay Mendez who portrayed Carrie Pipperidge with a delightful and quirky style to her that played extremely well off of Mr. Alexander Gemignani’s playfully-teasing Mr. Enoch Snow. As a matter of fact, Mr. Gemignani’s performance is award worthy in my opinion.

 I must also admit to you that while I tend to tune out the seemingly obligatory ballet sequences of most early 20th century musical theater, Ms. Brittany Pollock and Mr. Andrei Chagas were graceful and visually stunning in the Fairground Ballet sequence – a great tribute to the fabulous Choreography of Mr. Justin Peck.

Santo Loquasto’s scenic design was executed well, although there were too many ‘played in front of the curtain’ scenes while scenery was being noisily shuffled around Backstage. Note to Production: PLEASE Oil the stage right light motors and the sheer curtain pulleys.

Sadly, Ms. Ann Roth’s costumes look like they have been recycled from my high school production of ‘Oklahoma!’ And what’s with those baggy pants that come up to the men’s bellies?

 The lighting design by Brian McDevitt left me squinting many times to see what was happening on stage and again, that was from Orchestra Row M – I can only imagine what it was like up in the oxygen-tank seats.

Speaking of seats, it appears to me that when they remodeled the theater after “The Great Comet“ they added many more seats then there were before. In my cushy (read expensive) Orchestra seat I was sucking on my knees or more annoyingly to her, scraping the back of the chair of the lady in front of me.

All that being said, I haven’t told you the worst part:
I DIDN’T CRY!!!
Me – the person who “cries at everything” – DIDN’T CRY!!!

If you’ll remember, I said up front that I’m not the biggest fan of this show – BUT when I DO see it I always CRY – ALWAYS! This tells me everything I need to know.

All said, the audience seemed to love the show, hooting and hollering along with their thunderous applause, it was a Press Preview, so perhaps you too will enjoy Rodger’s & Hammerstein’s Carousel as much as they did.

Me, I’m still optimistically looking forward to Lincoln Center’s revival of “My Fair Lady”

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Rogers & Hammerstein‘s Carousel

Opens Thursday, April 12th 2018

To order tickets online
https://www.broadwayinbound.com/shows/carousel/ 

To order tickets by phone,
call 212-239-6200

IN PERSON
VISIT THE IMPERIAL THEATRE
249 W 45th St,
between 7th Avenue and 8th Avenue

BOX OFFICE HOURS
Monday–Saturday: 10am–8pm,
Sunday: Closed
(Beginning March 25: Noon–6pm)

The 6th Annual Chanukah with Elli theKingOfBroadway & Friends 2018

* * * * * * * *

I am humbled ב״ה to be presenting

The 6th Annual
Chanukah with Elli theKingOfBroadway & Friends
2018 – 5779 Edition

We are privileged to present it ONE NIGHT ONLY:

Sunday, December 2nd (1st Light Chanukah) @ 7:00pm

The theme is, of course,
Chanukah the Festival of Light & Freedom!

There will be Music, Song, Comedy, Menorah Lighting, Sufganiot, Dreidels, Chanukah Gelt & MORE!

Featuring:
Elli theKingOfBroadway
and an all-star Broadway cast!

Stuart Marshall
Tommy Vance
Ron Orlovsky

with Music by “The Drey-dels”

Elliot Finkel – Piano (MD)

George Rush, Bass
Michael Bellusci, Drums
Daniel Bennett, Clarinet/Sax

TICKET INFO:
$18/Chai Cover Charge – 2 Drink Min
RESERVATIONS A MUST!!!
(212) 279-4200
www.triadnyc.com

-elli-
********

Here’s a clip from last year’s 2nd Show
Dec. 19th 7pm @The Triad NYC

Thanks for watching and make your reservations NOW
www.triadnyc.com

 

VIDEO: The 5th Annual “Chanukah with Elli thekingofbroadway & Friends 2017 – 5778 Edition

Video is at the bottom!

* * * * * * * *

I am humbled ב״ה to be presenting

The Video of

The 5th Annual
“Chanukah with Elli thekingofbroadway & Friends”
2017 – 5778 Edition

Which was Performed
Tuesday, December 19th (8th Light Chanukah) @ 7:00pm

The theme was, of course,
Chanukah the Festival of Light & Freedom!

There was Music, Song, Comedy, Menorah Lighting, Sufganiot, Dreidels, Chanukah Gelt & MORE!

Featuring:
Elli Thekingofbroadway
and an all-star Broadway cast!

Stuart Marshall
Tommy Vance
Ari Axelrod

with Music by “The Drey-dels”
Alex Rybeck – Piano (MD)
David Backer – Bass
Dmitri Z!sl Slepovitch – Clarinet/Sax
Michael Bellusci – Drums

www.triadnyc.com

-elli-
********

Here’s this year’s 2nd Show Dec. 19th 7pm
@ The Triad NYC

Interview with Keith Andrew – 12.29.17

I am very pleased to present my
Interview with Keith Andrew
of the
KeithAndrewNetWork.com
December 29th, 2017

Enjoy!

‪KeithAndrewNetWork Season Five #419
with Elli TheKingOfBroadway
https://youtu.be/BjXSbbMpcIk

#Disabilities #KeithAndrewNetWork
#YouTubeTalkShows #YouTubeShows
‪#keithandrewnetwork‬
#NeverGiveUp #ProvePeopleWrong #mentalHealth #Passion #Entertainer#Entertainment ‬

https://www.facebook.com/KeithAndrew88
KeithAndrewNetWork.com

PRESS RELEASE: Cast Announced for the New York Regional Premiere of THE HUNCHBACK OF NOTRE DAME

Cast Announced for the New York Regional Premiere of

THE HUNCHBACK OF NOTRE DAME

at White Plains Performing Arts Center
December 22 – January 14


The White Plains Performing Arts Center (WPPAC) is proud to the present the first New York professional production of THE HUNCHBACK OF NOTRE DAME onstage from December 22 – January 14.

From the Oscar-winning composer team Alan Menken (Aladdin, The Little Mermaid) & Stephen Schwartz (Wicked, Pippin) comes a lushly scored retelling of Victor Hugo’s (author of Les Miserables) epic story of love, acceptance, and what it means to be a hero. The Hunchback of Notre Dame showcases the Disney film’s Academy Award-nominated score.

The musical begins at the famed cathedral in fifteenth-century Paris. Quasimodo, the deformed bell-ringer who longs to be “Out There,” observes all of Paris reveling in the Feast of Fools. Held captive by his devious caretaker, the archdeacon Dom Claude Frollo, he escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful gypsy, Esmeralda. Quasimodo isn’t the only one captivated by her free spirit, though – the handsome Captain Phoebus and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the gypsies – and it’s up to Quasimodo to save them all.

A sweeping score (accompanied by a 15 piece orchestra & 30 person choir) and powerful story make The Hunchback of Notre Dame an instant classic. Audiences will be swept away by the magic of this truly unforgettable musical.

The cast features the talents of Anna Baker (Ensemble), Matthew Billman (Captain Phoebus de Martin), Melanie Burg (Ensemble), Bobby Cassell (Quasimodo), David Thomas Cronin (Saint Aphrodisius), Jenna Dallacco (Esmeralda), Jarrad Biron Green (Clopin Trouillefou), Chris Guzman (Lieutenant Frederic Charlus), Katelyn Lauria (Madam), Joey Nelan (Ensemble), Rebecca Skowron (Ensemble), Dustin Harris Smith (Jehan Frollo), James Smith (Father Dupin), Cecilia Snow (Florika), Anna Laura Strider (Ensemble), Esteban Suero (Ensemble) and James Zannelli (Dom Claude Frollo).

The 30 person choir includes Brian Brammer, Brad Baron, Richie Barrella, Jesse Bush, Sofia Christensen, Rachel Fournier, Mick Gloss, Alexandra Imbrosci-Viera, Brianne Keefe, Sam Kronenfeld, Andrea Levinsky, Tara Llewellyn, Ethan James Lynch, Tyler Mell, Casey Miko, Sarah Ruth Mikulski, Kurt Perry, Frank Radice, Connor James Reilly, Joseph Sanzaro, Hillary Schranze, Rebecca Simpson-Wallack, Jodi Snyder, Jonathan K. Stevens, Sam Sultan, Justin Tepper, Elora Von Rosch, Tara Lynn Wagner, Katherine Ross Wolfe and Jamie Zeidman.

THE HUNCHBACK OF NOTRE DAME is Directed by Frank Portanova with Musical Direction by Stephen Ferri and Choreography by Lexie Fennell Frare. Scenic Design by Christopher & Justin Swader, Lighting Design by Jamie Roderick, Choir Direction by Tom Cuffari, Stage Managed by Jessie Jardon. Music by Alan Menken, Lyrics by Stephen Schwartz, Book by Peter Parnell. Based on the Victor Hugo novel with songs from the Disney film.

THE HUNCHBACK OF NOTRE DAME will play the White Plains Performing Arts Center Friday, December 22 7pm; Saturday, December 23 2pm & 7pm; Wednesday, December 27 7pm; Thursday, December 28 2pm; Friday, December 29 7pm; Saturday, December 30 2pm & 7pm;  Thursday, January 4 11am; Friday, January 5 7pm; Saturday, January 6 7pm; Sunday, January 7 2pm; Wednesday, January 10 2pm; Friday, January 12 7pm; Saturday, January 13 7pm; Sunday, January 14 2pm. The White Plains Performing Arts Center is located on the third level of City Center off Mamaroneck Avenue in downtown White Plains, minutes from the White Plains Metro North Station. For tickets visit the theatre box office Monday-Friday (11am-6pm), purchase the tickets online at wppac.com or call 914-328-1600.

For Group Sales, please contact boxoffice@wppac.com.

THE HUNCHBACK OF NOTRE DAME is a WPPAC MainStage Production which is a professional production featuring union and non-union actors from Broadway, national tours and regional theatre across the country. These productions are created from scratch, staffed with professional production teams (directors to designers), large LIVE orchestras and boast high-quality sets and costumes.

THE HUNCHBACK OF NOTRE DAME is sponsored in part by the Cappelli Organization, The Complete Golfer, Entergy, GA Fleet and Yost & Campbell.

White Plains Performing Arts Center
11 City Place, White Plains, NY 10601

PRESS RELEASE: 6TH ANNUAL BROADWAY SERIES CONCERT AT CARNEGIE HALL

MANHATTAN CONCERT PRODUCTIONS
ANNOUNCES 6TH ANNUAL BROADWAY SERIES CONCERT AT CARNEGIE HALL

FEBRUARY 20, 2018

New York, NY, November 1, 2017—Manhattan Concert Productions (MCP) is pleased to announce the sixth installment of its annual Broadway Series, Broadway Classics in Concert, at Carnegie Hall on February 20, 2018 at 8pm.

This special retrospective, led by Broadway Series alumni, Don Stephenson (Director), and Tom Murray (Music Director/ Conductor), celebrates Manhattan Concert Productions’ past collaborations by paying homage to the composers of the past Broadway Series concert events—Lynn Ahrens & Stephen Flaherty (Ragtime), Alan Menken (Hunchback of Notre Dame), Maury Yeston (Titanic), Jason Robert Brown (Parade), Lucy Simon (The Secret Garden), George & Ira Gershwin (Crazy for You)—many of whom will make a special appearance at the event.

Broadway Classics in Concert will not only feature best-loved pieces from past Broadway Series performance, but also numbers from the composers’ full catalogs. The performance will include a chorus of over 200 singers from across the United States, a professional cast and creative team, and the New York City Chamber Orchestra.

Tickets go on sale on Thursday, November 2, 2017 at 11am. Tickets may be purchased by visiting www.carnegiehall.org/events; calling CarnegieCharge at (212) 247-7800; or by visiting the Box Office located at 57th St. and Seventh Ave.

ABOUT MANHATTAN CONCERT PRODUCTIONS
Manhattan Concert Productions (MCP) is an esteemed production company in its 19thseason. MCP has provided opportunities to thousands of musicians in choirs, bands, and orchestras to perform at famous venues throughout the United States and many countries abroad. Additionally, MCP regularly features the work of professional singers, actors, instrumentalists, conductors, and composers. The guest musicians of the Broadway Classics in Concert chorus will spend five days in New York City rehearsing and performing side-by-side with the professional principal cast and crew as part of Manhattan Concert Productions’ continuing mission of student and professional collaboration. Visit www.mcp.us to learn more.

Cast and creative team announcements to follow.

Press Release: Lincoln Center’s 2018 American Songbook Season

Lincoln Center Press Release

Lincoln Center’s 2018 American Songbook Season
January–March 2018

Musical legendsRandy Newman and Rosanne Cash Bring Series Back to the
Rose Theater at Jazz at Lincoln Center for First Time Since 2005

Composers & Lyricists Spotlights Include Stew & The Negro Problem, Scott Frankel & Michael Korie with Kelli O’Hara and Julian Ovenden, Matt Ray performing Hoagy Carmichael, and Justin Vivian Bondpresenting the music of The Carpenters

The Blind Boys of Alabama, Rachel Bloom&Adam Schlesinger, Cloud Cult,
Jackie Hoffman,Shelby Lynne & Allison Moorer, Aaron Tveit, John Paul White,
and Lizz Wrightround out Appel Room Concerts

Jalen N’Gonda to perform free show in the David Rubenstein AtriumOctober 31, 2017—The 19th season of Lincoln Center’s acclaimed American Songbook series opens this January, presenting the voices and stories of singers, songwriters, and musicians across a range of genres. From musical theater to Americana to R&B and gospel, these performers will chronicle personal journeys, pay tribute to legendary artists, and showcase the breadth of creativity, emotion, and expression found throughout American song.

The season opens in the iconic Appel Room on January 24, 2018, with Grammy Award winner John Paul White (The Civil Wars) performing his lyric-driven Southern gothic folk. And in March, the series will return to the Rose Theater for the first time since 2005 for a pair of special evenings with Oscar-, Emmy-, and Grammy Award–winning songwriter Randy Newman(March 26) and Rosanne Cash(March 27), a four-time Grammy Award winner, best-selling author, and activist.

Composers and lyricists are a centerpiece of this season, as Tony winners Stew & Heidi Rodewald (Passing Strange¸ The Total Bent) reflect on two decades of music-making through the prism of their self-described “Afro-Baroque cabaret” (Feb. 7); Matt Ray pays homage to Hoagy Carmichael with singer Kat Edmonson(Jan. 27); composers Scott Frankel&Michael Korie (Grey Gardens, War Paint) are joined by stars Kelli O’Hara and Julian Ovenden (Feb. 17); and downtown legend Justin Vivian Bond weaves the trials of Karen Carpenter’s complicated life into a modern context using her music (Feb. 15).

Additional featured musicians ranging from icons to iconoclasts include comedian Jackie Hoffman, coming off her Emmy-nominated performance as Mamacita in Feud: Bette and Joan (Jan. 25); indie band Cloud Cult, which mixes swelling harmonies and orchestrated arrangements with an environmentalist message (Jan. 26); sisters ShelbyLynne & Allison Moorer, each a groundbreaking artist of Americana in her own right (Feb. 8); Broadway star Aaron Tveit, who headlined Next to Normal and Catch Me If You Can (Feb. 9); the team behind Crazy Ex-Girlfriend, Rachel Bloom&Adam Schlesinger (Feb. 10); vocalist Lizz Wright, whose 2017 album Grace melds the spirituality and sensuality of the American South (Feb. 14); and gospel legends The Blind Boys of Alabama, who are celebrating their more than 70-year legacy with a new album inspired by the memories of founding members James Carter and Clarence Fountain (Feb. 16).

The rising Maryland-born, Liverpool-based soul and R&B singer-songwriter Jalen N’Gonda will also perform a free show on February 1 in the David Rubenstein Atrium.

“Each season of American Songbook juxtaposes the popular music of our time while honoring that of the past and anticipating the voices of the future. From the world of Broadway to television to the backroads of Alabama to Duluth, Minnesota, this year we are covering considerable ground,” said Jane Moss, Lincoln Center’s Ehrenkranz Artistic Director. “Each of these artists moves us with their creativity, personal stories, and, for many of them, their much-needed humor.”

Hailed for its expansive embrace of American songwriting spanning centuries and geography, American Songbook is based at three venues at Lincoln Center. The Appel Room at Jazz at Lincoln Center, with its floor-to-ceiling windows overlooking Columbus Circle, hosts cabaret-style performances that include table seating, close proximity to the performers, and an incomparable view of the Manhattan skyline. In addition, the series will return to the Rose Theater, which maintains an intimate atmosphere as the largest of Jazz at Lincoln Center’s performance spaces, and the David Rubenstein Atrium, a vibrant indoor public commons offering hundreds of free programs each year.

“PGIM, the global investment management businesses of Prudential Financial, is proud to be the lead supporter of such an innovative concert series as Lincoln Center’s 2018 American Songbook,” said David Hunt, President and CEO of PGIM.“The array of performances allows Lincoln Center audiences to celebrate the diverse aspects of the American experience through music, and we are honored to be a part of it for the fifth year in a row.”

Tickets for Friends of Lincoln Center go on sale November 6 and to the general public beginning November 13. They may be purchased online at AmericanSongbook.org, via CenterCharge at 212.721.6500, and at the Alice Tully Hall and David Geffen Hall Box Offices. Premium packages, which include red wine, dinner, and the best seats in the house, are available for purchase for Appel Room performances; find more information at AmericanSongbook.org, and learn about our Friends of Lincoln Center program at Support.LincolnCenter.org.

© 2017 Lincoln Center for the Performing Arts

PRESS RELEASE: IN & OF ITSELF Magically Extends a 3rd Time!

FOR IMMEDIATE RELEASE
Press Contact: Vivacity Media Group, 212-812-1483
Leslie Papa, Leslie@VivacityNY.com
Whitney Holden Gore, Whitney@VivacityNY.com
Ailsa Hoke, Ailsa@VivacityNY.com

DEREK DELGAUDIO’S

 

ANNOUNCES THIRD EXTENSION

OF ITS SMASH-HIT NEW YORK PREMIERE ENGAGEMENT

NOW PLAYING THROUGH MAY 6, 2018

AT UNION SQUARE’S DARYL ROTH THEATRE

NEW BLOCK OF TICKETS AVAILABLE NOW AT TICKETMASTER.COM

(New York, NY)IN & OF ITSELF, the smash-hit show created and performed by three-time Academy of Magical Arts Award winner Derek DelGaudio (Nothing to Hide) and directed by four-time Emmy Award winner Frank Oz (Little Shop of Horrors, Dirty Rotten Scoundrels, Star Wars), has announced a third extension to the show’s New York Premiere engagement at the Daryl Roth Theatre in Union Square. IN & OF ITSELF, which opened to resounding critical acclaim on April 12, 2017,will now play an additional eighteen weeks, through May 6, 2018.

Produced by Werner Entertainment, Tony Award winners Gary Goddard & Forbes Candlish, Prediction Productions and five-time Emmy & Tony Award winner Neil Patrick Harris, IN & OF ITSELF began previews on April 5, setting a box office record for the highest advance sales in the history of the Daryl Roth Theatre. Even amidst the most crowded theater season in over twenty years, IN & OF ITSELF has grossed over $3 million (in a 150-seat theater) and continually sold-out performances—prompting three extensions to the original ten-week run, now taking the show to fifty-seven weeks.

A mysterious story is deciphered and the illusion of one’s own identity is revealed in Derek DelGaudio’sIN & OF ITSELF. A modern allegory, IN & OF ITSELF explores new ways of seeing the unseeable, as memories from yesterday, inexplicable events witnessed today and secrets imagined for tomorrow are blended together, creating a perpetual paradox of a show. Glenn Kaino (2004 Whitney Biennial, U.S. Representative to the 13th Cairo Biennale) serves as Artistic Producer of the production, which also features Original Music by Devo frontmanMark Mothersbaugh, and Production Design by A.BANDIT

“Wonder is a rare commodity these days,” raved The New York Times, which declared the show a Critic’s Pick. “Derek DelGaudio, the phenomenally talented creator and star of the stealthily entrancing IN & OF ITSELF, is a magician, a raconteur, a conceptual artist and conceivably a mind reader… And his show works. Beautifully. Tenderly. Astonishingly. The finale allows Mr. DelGaudio a momentary connection to any audience member who proves willing. To watch is to see audience members each receive a private benediction and leave the theater, heads aswirl.” Time Out New York gives the show “Four Stars!”; Vogue says, “In the astonishing IN & OF ITSELF, Derek DelGaudio performs some of the most heart-stoppingly wondrous pieces of magic I’ve ever seen;” and The NewYorker calls it, “a thoughtful piece of theatre that makes inspired use of DelGaudio’s skills…it will linger in the mind and leave ample room for wonder.” The Huffington Post hails the show as “nothing short of remarkable,” and Entertainment Weekly describes DelGaudio as an “undeniably compelling storyteller” with “jaw-dropping” talent. TheaterManiadeclared IN & OF ITSELF a “wildly impressive” show that “elevates magic to a fine art.”

DelGaudio is a writer, performance artist, and three-time Academy of Magical Arts Award-winning magician. He wrote and starred in the critically acclaimed show Nothing to Hide, which played sold-out engagements in LA and NYC. He was selected to be the Artist in Residence for Walt Disney Imagineering and co-founded, along with Kaino, the performance-art collective, A.BANDIT. In April 2017, DelGaudio became one of the youngest artists to receive the Academy of Magical Arts’ “Magician of the Year” award, joining the ranks of such luminaries as David Copperfield, Penn & Teller, David Blaine and Ricky Jay.

Frank Oz is a four-time Emmy Award winner, whose directing work includes such feature films as Little Shop of Horrors, Dirty Rotten Scoundrels, In & Out, The Score and Death at a Funeral.  As a performer, he has voiced such iconic characters as Yoda in the Star Wars franchise, Miss Piggy and Fozzie Bear on “The Muppet Show,” and Grover and Cookie Monster on“Sesame Street.” Oz is a recipient of The Art Director’s Guild Award, The Comedy Award, Saturn Lifetime Achievement Award and George Foster Peabody Award, among others. 

IN & OF ITSELF played a limited engagement at Geffen Playhouse in the spring and summer of 2016, where it extended an unprecedented five times, and became their highest grossing show to date.

Tickets to IN & OF ITSELF are on sale at Ticketmaster.com. The performance schedule is Tuesday–Friday at 8pm, Saturday at 3pm & 8pm, and Sunday at 3pm & 7pm. There are no shows on Tuesday October 31, Thursday November 23, Sunday December 31 or Tuesday, January 2. There are added shows on Monday October 30 at 8pm, Monday November 20 at 8pm, and Wednesday January 3 at 3PM. On Wednesday December 27, Friday December 29, and Saturday December 30, performances are at 5PM and 9PM.

www.InandOfItselfshow.com

@InandOfItself

Click here for: PRODUCTIONPHOTOS

BIOGRAPHIES

DEREK DELGAUDIO (Creator and Performer) is a writer, performance artist, and three-time Academy of Magical Arts Award-winning magician. He wrote and starred in the show, Nothing To Hide. He was selected to be the Artist in Residence for Walt Disney Imagineering. Derek co-founded, along with Glenn Kaino, the performance-art collective, A.BANDIT. He has staged works at LA><ART, Art L.A. Contemporary, SoHo House Hollywood, Art Basel Miami, The Broad Art Museum at MSU, and The Kitchen in New York City, as well as, site-specific performances for Grand Arts, The Ball of Artists, LACMA and The Storefront for Art & Architecture.

 

FRANK OZ (Director) is a four-time Emmy winner, recipient of The Art Director’s Guild Award, The Comedy Award, Saturn Lifetime Achievement Award, George Foster Peabody award, and others. He’s performed with The Muppets and on the Star Wars Films. The dozen feature films he’s directed include Little Shop of Horrors, Dirty Rotten Scoundrels, In & Out, The Score, and Death at a Funeral.

 

GLENN KAINO (Artistic Producer) is a conceptual artist based in Los Angeles. In 2012 he was selected by the U.S. Department of State to represent the country in the 13th International Cairo Biennale, and he has had additional solo exhibitions at The Andy Warhol Museum, The Studio Museum in Harlem, Grand Arts, The Modern Ft. Worth, The Whitney Museum, Museum of Contemporary Art, San Diego, and REDCAT among others. He has also been included in numerous group exhibitions such as the 12th Lyon Biennial, Whitney Biennial, Performa 09, and Prospect.3. With Derek he co-founded A.BANDIT and the group has its first artist monograph coming out later this year.

 

MARK MOTHERSBAUGH (Original Music) is a founding member and frontman of the popular band DEVO. He has been a prolific visual and musical artist since before the band’s inception, with a diverse body of work that includes albums, soundtracks, drawings, sculptures, photographs, videos, prints, eyewear and rugs. Mothersbaugh created the often-imitated sound of Wes Anderson’s beloved films with his scores to Rushmore, Bottle Rocket, The Royal Tenenbaums and The Life Aquatic. He also composed the musical scores for “Pee-Wee’s Playhouse,” the “Rugrats” series and films, The Lego Movie, Hotel Transylvania, both 21 and 22 Jump Street and hundreds of other films, television series and advertisements.

 

NEIL PATRICK HARRIS (Executive Producer) can currently be seen as Count Olaf in Netflix’s series adaptation of Lemony Snicket’s “A Series of Unfortunate Events.” Television: “Best Time Ever with Neil Patrick Harris,” “American Horror Story,” “How I Met Your Mother,” “Glee,” “Sesame Street,” “Stark Raving Mad,” “Joan of Arc,” and “Doogie Howser, M.D.,” among others.  Online:  “Neil’s Puppet Dreams,” “Dr. Horrible’s Sing-Along Blog,” and “Prop 8: The Musical.” Film:  Gone Girl, A Million Ways to Die in the West, Cloudy with a Chance of Meatballs 1 & 2, The Smurfs 1 & 2, the Harold & Kumar films, Starship Troopers, and Clara’s Heart, among others. Broadway:  Hedwig and the Angry Inch, Assassins, Cabaret, Proof.  Off-Broadway/Regional: Company (New York Philharmonic), All My Sons (Geffen Theater), The Paris Letter (Kirk Douglas Theater), Sweeney Todd (NY Phil, San Francisco Symphony Orchestra), Romeo and Juliet (Old Globe Theater), Rent (Los Angeles/2nd National Tour), and Luck, Pluck and Virtue (Atlantic Theater Co.).  London: tick, tick…BOOM! (Menier Chocolate Factory). Directing: Nothing to Hide (Pershing Square Signature Center & Geffen Theater), Rent (Hollywood Bowl), The Expert at the Card Table (Ediburgh Fringe Festival & Broad Stage Theater) and I Am Grock (El Portal Theater). Harris is a five-time Emmy Award winner for his guest-starring role on “Glee,” and as host of the 63rd, 65th, 66th and 67th Annual Tony Awards. Additionally, Harris served as the host of the 87th Annual Academy Awards in February 2015. 

 

WERNER ENTERTAINMENT/ TOM WERNER (Producer). In addition to his membership in the Television Academy Hall of Fame, Tom Werner has received the Lifetime Achievement Award from the Producers Guild of America. That is why he has such a strong respect for illusionists. The Carsey Werner Company, which Marcy Carsey and he cofounded, has produced over 2000 hours of quality half-hour television, and it has won numerous Emmy Awards, Golden Globes, and Peabody Awards. In the last fifteen years, Werner has also been the Chairman of the Boston Red Sox, and the club has won 3 World Series after a drought of 86 years. Werner is extremely proud of his association with Derek DelGaudio and he helped produced the critically acclaimed Nothing to Hide when it traveled to N.Y.C. after its record-breaking run at the Geffen Playhouse.

 

GARY GODDARD ENTERTAINMENT/ GARY GODDARD & FORBES CANDLISH (Producer). Tony Award-Winning Producers Gary Goddard & Forbes Candlish are celebrating their 40th year working together in the legitimate theater. On Broadway they have produced The Encounter, HAIR, reasons to be pretty, Jekyll & Hyde, The Big Love, Tru and Sherlock’s Last Case. Other NYC Theater Credits include The Wiz for New York City Center Encores, Jesus Christ Superstar at the Paramount Theater, Shida at Ars Nova and Runt of the Litter at 37 Arts.

 

PREDICTION PRODUCTIONS (Producer) is a New York-based production company dedicated to developing and creating structurally inventive content for film, television, theater and new media formats. Launched in 2015 by award-winning actor, producer and director Neil Patrick Harris, Prediction Productions holds a first-look television production deal with NBC, with whom they produced the live variety series, “Best Time Ever with Neil Patrick Harris,” and with whom they are producing the upcoming “Genius Junior,” in association with Shed Media.  Shea Martin serves as Vice President, with Zoë Chapin as the company’s Head of Productions.

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Leslie PapaVivacity Media Group
1650 Broadway │Suite 609 |NYC, 10019
212-812-1483Leslie@VivacityNY.com